Since 2025, Slurm Comics has been operating as a full-service creative
studio and independent publishing
house. We have assembled a team
of specialists covering the entire production pipeline — from scriptwriting to print-ready preparation.
This approach allows us to maintain
a consistently high-quality work
while managing both independent author-driven projects and large-scale commercial projects for media
companies and brands.
In just a few years, we have launched
our own comic book line, including
an official collaboration with Yuri Khovansky dedicated to the anniversary of the music video “Batya in the
Building.” We are also developing our original comic series “St. Petersburg Mutants: Turtle Brothers.” In addition, together with Alpaca Publishing,
we created graphic novellas for
Tank Blitz, collaborated with the HookahPlace network, and worked
with clients from France, Germany,
the UAE, and other countries.
«Для меня арт-дирекшн — это не просто
контроль картинки. Важно, чтобы весь проект работал как единое произведение: визуально, эмоционально и по атмосфере. Именно
поэтому я стараюсь лично курировать
каждый проект внутри студии».
контроль картинки. Важно, чтобы весь проект работал как единое произведение: визуально, эмоционально и по атмосфере. Именно
поэтому я стараюсь лично курировать
каждый проект внутри студии».
Founder and Art Director of Slurm Comics, illustrator and writer with more than six years of experience in commercial illustration and comics. He has collaborated with major bloggers, publishers, and brands, including Utopia Show, Yuri Khovansky, Bubble, Alpaca, and TNT.
Every studio project passes through Egor’s hands —
from the initial discussions and visual concepts to the final
result and quality control at every stage of production.
Every studio project passes through Egor’s hands —
from the initial discussions and visual concepts to the final
result and quality control at every stage of production.
“My goal is to ensure smooth, transparent,
and stress-free collaboration between
the client and the team. Creativity is important,
but great production also relies on strong organization.”
and stress-free collaboration between
the client and the team. Creativity is important,
but great production also relies on strong organization.”
Alexandra oversees client communication, project management,
and the entire organizational side of the studio’s workflow —
from contracts and approvals to final project delivery.
and the entire organizational side of the studio’s workflow —
from contracts and approvals to final project delivery.
“I like artwork that feels alive and a little
rebellious. Even in commercial projects,
I always try to preserve personality, emotion,
and the feeling that the work was created
by a human — not a conveyor belt.”
rebellious. Even in commercial projects,
I always try to preserve personality, emotion,
and the feeling that the work was created
by a human — not a conveyor belt.”
Daria works in commercial illustration, print design, and concept art.
She has contributed to children’s books, board games,
coloring books, and commercial projects, and previously
worked as a 2D artist at X-Flow Studio.
She has contributed to children’s books, board games,
coloring books, and commercial projects, and previously
worked as a 2D artist at X-Flow Studio.
“I love stories with atmosphere and attention
to detail. For me, it’s important that the visuals
not only look impressive, but also help the reader fully immerse themselves in the world of the comic.”
to detail. For me, it’s important that the visuals
not only look impressive, but also help the reader fully immerse themselves in the world of the comic.”
His works include the series 3 September, True Hero, SCP COMIX,
Greco-Persian Wars, as well as the original project Robin Quikhote,
which received the “Best Storytelling” award at the KomMissia festival.
Greco-Persian Wars, as well as the original project Robin Quikhote,
which received the “Best Storytelling” award at the KomMissia festival.
Alexander has been working in commercial illustration and comics since 2019. With a background in history, he pays special attention to detail, atmosphere,
and visual authenticity in his work. Over the years, he has collaborated
with publishers such as Wizart, Magic Comics, Alpaca, MOLOT Hardcorp,
and Bombora, contributing to dozens of projects as an artist, colorist,
and cover illustrator.
and visual authenticity in his work. Over the years, he has collaborated
with publishers such as Wizart, Magic Comics, Alpaca, MOLOT Hardcorp,
and Bombora, contributing to dozens of projects as an artist, colorist,
and cover illustrator.
“As Uspenskaya once told me, ‘God gave me
good taste.’ I have a strong sensitivity to colors
and shades. It’s very important to me that
the visuals never feel loud or excessive,
but still remain stylish and elegant.”
good taste.’ I have a strong sensitivity to colors
and shades. It’s very important to me that
the visuals never feel loud or excessive,
but still remain stylish and elegant.”
Alexandra, also known as Sadora, is an artist and colorist
at Slurm Comics. She graduated from the Surikov Moscow State
Academic Art Institute, specializing in book graphics. She received
the professional Canon Award for “Best Colorist of 2025” and has
collaborated with publishers including Alpaca, MOLOT Hardcorp,
and Drugoe Izdatelstvo. Her projects include Russians vs Lizards,
Knights of Forty Islands, SCP COMIX, Hunger II: The Beast
and Its Masters, Communal House, and Legend of Yamal.
at Slurm Comics. She graduated from the Surikov Moscow State
Academic Art Institute, specializing in book graphics. She received
the professional Canon Award for “Best Colorist of 2025” and has
collaborated with publishers including Alpaca, MOLOT Hardcorp,
and Drugoe Izdatelstvo. Her projects include Russians vs Lizards,
Knights of Forty Islands, SCP COMIX, Hunger II: The Beast
and Its Masters, Communal House, and Legend of Yamal.
“Color in comics helps convey the mood of a scene, the emotions of the characters, and the atmosphere of the story. I love when color makes a world
feel alive and complete.”
feel alive and complete.”
Elena is a colorist with more than 12 years of experience in the gaming
industry and commercial illustration. Throughout her career, she has
contributed to numerous Russian comic book projects, collaborating
with publishers such as Bubble, Wizart Comics, MOLOT Hardcorp,
Bombora, and Magic Studios. She has worked on series including
Besoboy, Exlibrium, Major Grom, True Hero, 3 September,
Utopia Show: Top Secret, and Legend of Yamal.
industry and commercial illustration. Throughout her career, she has
contributed to numerous Russian comic book projects, collaborating
with publishers such as Bubble, Wizart Comics, MOLOT Hardcorp,
Bombora, and Magic Studios. She has worked on series including
Besoboy, Exlibrium, Major Grom, True Hero, 3 September,
Utopia Show: Top Secret, and Legend of Yamal.
“Good lettering and layout are invisible
to the reader. My job is to make sure the story
flows naturally and every page
works exactly as the author intended.”
to the reader. My job is to make sure the story
flows naturally and every page
works exactly as the author intended.”
Evgeny has spent more than 10 years working on comic book layout design and print-ready production. He has also collaborated with publishers such as XL Media and AST.
“I love stories that combine action with strong драматургия and emotional depth. I try to create comics that are not only exciting to read, but truly immersive to experience alongside the characters.”
Nikita Gordeev has been working with Slurm Comics since 2021 and has participated in more than 30 completed projects, including Meta Dude, St. Petersburg Mutants: Turtle Brothers, Batya in the Building:
10 Years Later, and commercial projects for HookahPlace.
10 Years Later, and commercial projects for HookahPlace.
“I love design that combines precision
with personality. For me, it’s important
that visuals feel alive, stay memorable,
and evoke emotions rather than simply
being beautiful images.”
with personality. For me, it’s important
that visuals feel alive, stay memorable,
and evoke emotions rather than simply
being beautiful images.”
Anna is a graphic designer working at the intersection of design, illustration, and street art. At the studio, she is responsible
for visual identity, project branding, merchandise, and overall
art direction, helping each release feel cohesive, recognizable,
and full of character. Her work includes the Slurm Comics logo
and visual identity, themed event design, apparel customization
kits, and original print collaborations for Converse. Alongside
commercial design, Anna actively creates independent graphic
and street art projects. If you have seen pink cats painted
on walls around Saint Petersburg, there is a good chance
they were made by her.
for visual identity, project branding, merchandise, and overall
art direction, helping each release feel cohesive, recognizable,
and full of character. Her work includes the Slurm Comics logo
and visual identity, themed event design, apparel customization
kits, and original print collaborations for Converse. Alongside
commercial design, Anna actively creates independent graphic
and street art projects. If you have seen pink cats painted
on walls around Saint Petersburg, there is a good chance
they were made by her.
Copyright © Slurm: Creating cool shit since 2021
All rights reserved.
All rights reserved.
Slurm Illustration Studio
Copyright © Slurm: Creating cool shit since 2021
All rights reserved.
All rights reserved.
Slurm Illustration Studio
